Poetry & Art

Open Ground

On your left arm is a scar 

where glass from a broken windshield  

pierced skin, muscle, aponeurosis— 

a thin, white sheet of fiber, impossible to know  

is there without a wound.

 

When he was institutionalized  

you told a story to explain his absence:  

a flat tire, you said.

Seeing your father unmedicated 

is like meeting him again, is like being 

 

a child. He gives you a purple flower, 

drives you around the city, orders pizza  

with oysters on top, doesn’t stop talking— 

your taciturn father, his unhappy history  

suddenly wiped from view.  

 

He took his antipsychotic meds  

for 23 years, sometimes buying food  

for you and your brothers rather than  

filling a prescription. The year you apply  

for medical school your father loses  

 

his hold on reality, it slips away  

into the garbage can, is flushed  

down the toilet. You start to receive long letters, 

angry phone calls. He’s started to gather sharp 

objects, begins to see the Devil, your brother  

 

who lives in Alaska tells you all this after 

he’s flown to this part of the country, after 

he’s stepped inside your father’s house 

with your other brother. You wait outside,  

wait for word of what is to be done. 

 

Outside the ER, your sister pulls her hood 

over her head. She’s in hiding, and you are  

too, from your father, who has been checked 

in by your two brothers, who hold him down 

while a sedating syringe is slipped quickly 

beneath his skin.  

 

You have never been inside 

a psychiatric treatment center,  

not since childhood and this is different 

from the sprawling state hospital, its green 

lawns. An office building of stone and brick 

 

more like a college dormitory. In their rooms 

and pajamas, feet tucked into orange  

hospital-issued slippers, or gathered in the common  

areas to read or talk, patients speak gently to you 

about your father, reassuringly, as though 

 

the fact of your presence is some signal, 

a magic spell making you good, even if you 

do not feel good about anything that is happening. 

Only goodness to stave off the feeling  

you get in your stomach when your father 

 

tells you they injected haloperidol into his thigh 

that first night, only goodness as you push him 

in a wheelchair outside into the courtyard 

where it is afternoon and the light is a gray-gold 

glow. After the medication wears off 

 

you think he will snap at the psychiatrist,  

but he is silent. You are sure he is seething,  

but he remains acquiescent. You think, keep it up 

because getting out is the goal—you hope  

this is not forever, the way no one speaks  

and how cold the air feels, even in sunlight.  

 

Your first year of medical school 

you awaken from sleep, go to the kitchen for water,  

face the window’s blank, infinite stare.  

No one is out there, except for the coyotes 

you saw at the far end of the field, hunting 

mice on the open ground, their slantwise walk, 

their thin hunger.

 

 

 

Author: Kasey Johnson 
Email: [email protected] 
Author Bio: Kasey Elizabeth Johnson is a third-year medical student. She is interested in the intersection of race, class, gender, mental health, and addiction in literature and in healthcare education and practice. Her writing has been published in Bodega Magazine, Bone Bouquet, Corium Magazine, Paper Nautilus, Prick of the Spindle, Saranac Review, among others. She holds an MA from the University of New Mexico and a BA from Reed College. 

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